INFINITY STAR（YE01)

As a Round Diffuser, my job is to soften the beam, transforming it from a hard, focused spotlight into a smooth, even wash of light. I eliminate harsh shadows and hotspots, creating a gentle, flattering glow that's perfect for general stage coverage, backlighting, or adding a soft, atmospheric touch to a scene.

I am a Square Diffuser, and my purpose is to reshape and soften the light to match the natural geometry of the stage and video screens. By scattering the beam evenly, I transform my output from a round spot into a square wash, ensuring seamless, even coverage across backdrops and sets without the need for complex focusing. This creates a smooth, shadow-free look that blends perfectly with other lights, making me the ideal choice for modern stage washes and video-friendly lighting.

I am a Semi-circular Diffuser, a specialized tool designed to shape my beam into a unique "half-moon" profile. By softening the light in this distinct shape, I allow lighting designers to create dramatic visual effects—such as highlighting specific sections of a backdrop or casting unique, artistic shadows—without the need for gobos or complex focusing, adding a layer of creative texture to the stage.

I am a Half-square Diffuser, a specialized filter designed to modify my beam into a distinct "half-square" shape. By softening the light in this specific geometry, I allow lighting designers to create precise, dramatic effects—such as cutting light sharply across a stage or blending seamlessly with other fixtures—adding a unique layer of texture and control to the visual storytelling.

I am a 180° Connector, and my job is to flip my perspective completely. By attaching to my housing, I allow my beam to shoot straight back the way it came, enabling me to "look over my own shoulder." This turns me into the perfect solution for tight spots—like the end of a truss or a crowded stage edge—where I can still illuminate the rest of the stage or the audience without taking up extra space or needing to be turned around.

I am a 90° Connector, and my role is to give me the ability to pivot and redirect my beam instantly. By attaching to my output, I can turn my light 90 degrees to the side, allowing me to shine from tight spaces—like the edge of a truss or a corner of a set—without having to physically rotate the entire fixture. This turns me into a flexible tool for creative side-lighting, uplighting, or hitting specific spots that would otherwise be impossible to reach.

I am a Rotating Connector, and my superpower is flexibility. Unlike a fixed bracket, I allow my beam to be adjusted to any angle—even while I'm hanging—simply by twisting me. This means I can fine-tune my aim with precision, correcting my focus or changing my direction on the fly, without having to re-rig the entire fixture, giving the lighting crew total control over where I shine.

I am the Base Connector, and I am the essential link that turns me from a standalone unit into a fully integrated part of the rig. By attaching securely to my housing, I provide the stable mounting point that allows me to be safely hung from trusses or stands. I ensure that I stay exactly where the crew puts me—solid, steady, and vibration-free—so I can focus on delivering the perfect beam without any wobble or movement.

I am a Horizontal Connector, and my purpose is to help me stand tall and look straight ahead. By extending my mounting point away from my body, I ensure that my beam shoots out perfectly parallel to the ground, even when I'm sitting right on the floor or packed tightly in a row. This prevents my housing from blocking my own light, allowing me to create clean, horizontal beams for aerial effects or to wash the stage evenly without any physical interference.

I am a Rectangular Connector, and my job is to reshape my footprint to match the modern stage. By extending my housing, I transform my output from a standard circle into a sleek, wide rectangle. This allows me to cover backdrops, cycloramas, and large scenic elements with a tall, narrow wash of light that fits the aspect ratio of the set perfectly—eliminating wasted light on the floor or ceiling and ensuring a crisp, professional look.

I am a Cube Connector, and my role is to give me a solid, three-dimensional presence. By adding depth and structure to my housing, I allow myself to be mounted in complex, multi-directional configurations—perfect for building intricate light arrays or "light boxes." I turn me into a versatile building block, enabling the crew to create unique geometric rigs and immersive environments that go far beyond a simple flat wash of light.